這套引人入勝的歷史系列,保證帶大家以最近距離,審視這個改變二次大戰軌跡的重要日子——還有當年所失去的船艦與生命。為了還原當中的複雜過程,每集我們都分別探討時間軸上的關鍵要點,以求重構這場改變世界的重大事件,亦更深入了解當年日軍突襲背後的驚人故事。 1. Secrecy and Surprise 2. 30 Mins of Hell 3. Declaration of War
在这部纪录片中,一名警长和谋杀案被害者的母亲坚持不懈,只为追查并起诉1990年代巴黎的一名连环杀手
各位ARMY,请扣好安全带,准备同SUGA 一齐出发,游历各个城市,寻找音乐灵感的来源。
《抗战印记》以全景视角,引领观众回溯抗战岁月。节目始于九一八事变,那是日本侵华的开端,中华民族自此陷入苦难,开启了艰苦卓绝的抗争之路。随后,七七事变标志着全面抗战爆发,全民族同仇敌忾投入战斗。在整个抗战过程中,涵盖正面战场与敌后战场的英勇奋战。正面战场有诸多大型会战,展现中国军队顽强御敌的决心;敌后战场则通过灵活多样的战斗形式,持续给予敌人沉重打击。历经浴血奋战,最终迎来抗战胜利的曙光。节目通过这些关键节点,全方位呈现抗战的整体历程,深度彰显中国人民坚韧不拔的精神,致力于铭记这段充满血泪与荣耀的历史,让后人永远缅怀先辈们的伟大奉献 。
探索频道特别节目《星际穿越》的科学(The Science of Interstellar)。《星际穿越》邀请到了物理学家基普·索恩担任监制,涉及大量专业理论。本节目涵盖了片中关键要素的科学和理论。诺兰兄弟、制片人、包括索恩在内的众多科学家纷纷露面。马修·麦康纳亲自任解说。
两度寒暑的大型拍摄,震撼奢华的视觉盛宴,揭秘一座皇家园林的前世今生。特技、再现,复活清漪园久已消失的绝世风景;故事、人物,描摹颐和园风云变幻的皇家生活。 (此条目为CCTV摄制的6集纪录片 ,非同名文艺爱情影片,标记时请区分留意,非常感谢!- 豆瓣电影团队)
跟随布鲁姆踏上自我发现之旅,挑战他的身体和精神的极限可能。
从冰冻极地到热带雨林,认识自然界最迷人的巨兽,它们证明了庞大体型也会带来巨大挑战。
弗洛伦萨圣彼得堡特内里费岛迈阿密
朋友、同事和评论家们揭示了唐纳德·特朗普背后的真实美国故事,讲述了这名胆大妄为的商人排除万难当选美国总统的历程。 在 20 世纪 70 年代,唐纳德走出他父亲的阴影并做成了一笔巨额的房地产交易,随后将目光投向了特朗普大厦的建造工程。 在 20 世纪 80 年代,唐纳德涉足赌场行业并努力拓展自己的品牌,作风奢华挥霍无度。但他的个人生活却因股市崩盘而瓦解。 离婚和婚外情的消息登上头条新闻后,面临经济崩溃危机的特朗普打算利用股市东山再起。 在 21 世纪,借助真人秀再度成为明星的特朗普将目光投向了终极的权力宝座:白宫。
自从工业革命以来,每次技术革新产生的新岗位,都不会少于革新技术而淘汰的岗位,然而,这一趋势会继续下去吗? 生命,首先在于生存,继而繁荣。我们永远不可能知道,我们还能在这颗星球度过多少岁月,因此我们的任务就是坚持不懈的努力生存,并且抗击可能存在的所有威胁。 当下最大的威胁并不是疾病、恐怖主义、自然灾难,而是已经无法继续可持续发展的政经体系。 法律、医学、会计、建筑、广告、工程、咨询、翻译,无论你学什么专业,你的学位和准备都将是徒劳无功。 也许在未来,有工作的人才是贵族,赡养着全世界的无用之人。 也许在未来,没有人需要赚钱糊口,你可以专心钻研任何你喜欢的课题。
The Power of Emotion explains that emotion isn't to be confused with sentimentality. Emotion is ancient and more powerful than any art form. The film looks at young couples who run into difficulties as they try to translate their experiences of love into clear decision-making. A woman who has shot her husband provides a judge with a puzzle. Those who love can bring the dead back to life by means of co-operation. That's the focus of the opera, "The Power Plant of Emotions" and the "Opera of the 20th Century" cinema. Alexander Kluge: The Power of Feeling When I started working on The Power of Feeling, I was not in a rational state. I did not say, I have a subject and now I will make a film about it. Instead I was spellbound and observed in my direct surroundings, for example, how feelings move. I have not really dealt with the theme of my mother's death and the fact that she was the one who taught me "how feelings move." Nor have I dealt with how she died. That was an entire palette of feelings: "All feelings believe in a happy end," and everyone believes tacitly that they will live forever: The entire palette is somehow optimistic, a positive attitude towards life having been put on the agendaas long as she was young, as long as her body held out, from one day to the next she collapsed. She just suddenly collapsed, like in an opera where disaster takes the stage in the fifth act. It felt as if I had observed an air raid or a disaster. The film The Power of Feeling is not about feelings, but rather their organization: how they can be organized by chance, through outside factors, murder, destiny; how they are organized, how they encounter the fortune they are seeking.What is all this organization of feelings about? Generally feelings tend to be a dictatorship. It is a dictatorship of the moment. The strong feeling I am having right now suppresses the others. For thoughts this would not be the case. One thought attracts others like a magnet. People therefore need affirmation by other people to be sure about their own feelings (to counteract the acquisition of their feelings through outside forces). Through the interaction of many people, for example, in public, the various feelings also have a magnetic attraction to one another just like thoughts do. Feelings communicate through their manifestation in public. The cinema is the public seat of feelings in the 20th century. The organization is set up thusly: Even sad feelings have a happy outcome in the cinema. It is about finding comfort: In the 19th century the opera house was the home to feelings. An overwhelming majority of operas had a tragic end. You observed a victim. I am convinced that there is a more adventuresome combination: Feelings in both the opera and traditional cinema are powerless in the face of destiny's might. In the 20th century feelings barricaded themselves behind this comfort, in the 19th century they entrenched themselves in the validity of the lethal seriousness.
本片是电影导演信友直子的一部纪录片,记录了导演信友直子98岁的父亲和患有痴呆症的90岁母亲的日常生活。向来掌管家务的乐观母亲,在患病后日渐失去生活自理的能力,改由年迈得父亲悉心照料。 本片大胆地直面了衰老带来的私密现实,凸显了日本人口老龄化问题的紧迫性,也保留了父母生活中许多充满爱与幽默的温暖片段。